what have you got to lose crosby stills nash
| "Suite: Judy Blue Eyes" | ||||
|---|---|---|---|---|
 | ||||
| Single by Crosby, Stills & Nash | ||||
| from the album Crosby, Stills & Nash | ||||
| B-side | "Long Time Gone" | |||
| Released | September 1969 | |||
| Genre | Folk rock, soft rock, progressive stone, raga rock, psychedelic folk, latin rock | |||
| Length | 7:28 (album version) 4:35 (single edit) | |||
| Characterization | Atlantic | |||
| Songwriter(s) | Stephen Stills | |||
| Producer(s) | David Crosby Graham Nash Stephen Stills | |||
| Crosby, Stills & Nash singles chronology | ||||
| ||||
| Audio | ||||
| "Suite: Judy Blue Optics" on YouTube | ||||
"Suite: Judy Blue Eyes" is a song written by Stephen Stills and performed by Crosby, Stills & Nash (CSN). It appeared on the grouping's cocky-titled debut album in 1969 and was released as a unmarried, reaching number 21 on the Billboard Hot 100 pop singles chart. In Canada, "Suite: Judy Blue Optics" peaked at number 11.[1] The vocal imitates the form of a classical music suite every bit an ordered gear up of musical pieces.
Groundwork [edit]
The championship "Suite: Judy Blue Optics" (a play on words for "Sweet Judy Bluish Eyes") refers to Stephen Stills' former girlfriend, vocalizer/songwriter Judy Collins, and the lyrics to near of the suite's sections consist of his thoughts nearly her and their imminent breakup. During a July 15, 2007 interview for the National Public Radio program All Things Considered, Stills revealed that Collins was present in the studio when the demo tapes were recorded and had advised him, "Don't stay in here [in the studio] all night now." Stills as well commented that the breakdown with Collins "was imminent. ... We were just a footling as well big for 1 house." Stills said that he liked parts of this demo version of "Suite: Judy Blue Optics" ameliorate than the released version; the song and other demos of early Crosby, Stills and Nash songs were released commercially on the album Just Roll Tape.[2]
Collins and Stills had met in 1967 and dated for two years. In 1969, she was appearing in the New York Shakespeare Festival musical product of Peer Gynt and had fallen in love with her co-star Stacy Keach, somewhen leaving Stills for him. Stills was devastated by the possible breakdown and wrote the song every bit a response to his sadness. In a 2000 interview, Collins gave her impressions of when she first heard the song:
[Stephen] came to where I was singing ane nighttime on the Westward Coast and brought his guitar to the hotel and he sang me "Suite: Judy Blue Optics," the whole song. And of form it has lines in it that referred to my therapy. And and so he wove that all together in this magnificent creation. So the legacy of our relationship is certainly in that song.
Collins elaborated in a 2017 interview:
Afterwards, we both cried – and so I said: "Oh, Stephen, it's such a beautiful song. But information technology's not winning me back." I've always understood that people have to write about their lives. Most of all, I felt the song was flattering and heartbreaking – for both of us. Neither 1 of united states walked abroad from that relationship relieved. Nosotros were feeling like, "Whoa, what happened?"[three]
Composition [edit]
The recording features an acoustic guitar tuned to EEEEBE ("Bruce Palmer Modal Tuning"[four]) vs. the standard EADGBE tuning.[5] [6] This style of tuning would afterward be used for the Déjà Vu songs "iv+twenty" and "Carry On".
"Suite: Judy Blue Eyes" has four singled-out sections. The timings below are for the full album version. The shortened version released equally a unmarried cut the second and 4th verses from the commencement section, the 3rd and 4th verses from the second section, and the final verse and preceding pause from the tertiary department, and shortened the guitar break between the 2d and the 3rd sections. The terminal department is the but part that stayed fully intact on the single.
The outset section is a traditional popular song with four verses, featuring a chorus of "I am yours, you are mine, you are what you lot are." Running at approximately 2:56, the lead vocal is performed by Stills, with Crosby and Nash providing harmonies.
The second section is performed in one-half fourth dimension relative to the first section, and features four verses of iii-part harmony from the band, with Stills performing a brief vocal solo between the second and third. This section runs from 2:56 to 4:43.
This is followed past Stills acoustic guitar solo, connecting the two sections.
The third section is more than upbeat and features poetic lyrics ("chestnut brown canary, ruby-throated sparrow"), lasting from 4:43 to 6:25. Each of the three phrases is initially sung past Stills, with Nash then joining, and finally Crosby rounding out the harmonies. Connecting the phrases are instrumental breaks performed past Stills on acoustic guitar.
The final department (the coda) is sung in Spanish, with "doo-doo-doo-da-doo" backing vocals, starting at 6:34 until the song concludes. Stills has said that he intentionally made the final stanzas unexpected and difficult, even using a strange language for the lyrics, "just to make sure nobody would sympathise it" (not fifty-fifty Spanish speaking people).[7]
The final section has been parodied many times, notably in Frank Zappa's compositions "Baton the Mount" and "Magdalena" on The Mothers of Invention's anthology Just Another Band From L.A. "Weird Al" Yankovic performs a takeoff of it ("Mission Statement") on his 2014 album Mandatory Fun; instead of Spanish, the lyrics are corporate buzzwords strung together in such a manner as to be ultimately nonsensical. It is too sampled in the 2010 Cypress Hill song "Armada Latina".
Live performances [edit]
The final section of the song is included on the CSNY live album iv Way Street. It fades in on the opening of side one of the album. CSN also performed "Suite: Judy Blue Eyes" as their opening song at the Woodstock and Alive Aid festivals, and their operation at the former is featured in the film Woodstock (1970).[ citation needed ]
Critical reception [edit]
Writing for The New York Times in 1969, Robert Christgau believed that while "Stills has go such a sophisticated guitarist that many of his lines lack any direct-on rhythmic compulsion", his "Suite: Judy Blue Eyes" is "a structural triumph which could never have been brought off past a more Dionysiac spirit."[viii]
"Suite: Judy Blue Eyes" was named the 51st greatest song ever in a 2000 listing by VH1. In 2004, Rolling Rock mag ranked information technology number 418 on its listing of the 500 Greatest Songs of All Time. It was besides included in the Rock and Roll Hall of Fame'south "500 Songs That Shaped Rock & Whorl".[9]
Personnel [edit]
- David Crosby – harmony vocals, rhythm guitar
- Stephen Stills – atomic number 82 and harmony vocals, electrical and acoustic guitars, bass, Hammond B-three organ, percussion
- Graham Nash – harmony vocals
- Dallas Taylor – drums and percussion
Charts [edit]
References [edit]
- ^ a b "RPM Top Singles Chart" (PDF). RPM. RPM athenaeum. Ottawa: Library and Archives Canada. Nov 29, 1969. Retrieved March 31, 2017.
- ^ "'All Things Considered': 'Lost' Stephen Stills Recordings Released". Retrieved 8 Jan 2018.
- ^ Farber, Jim (21 Sep 2017). "Judy Collins on Stephen Stills: 'I said, it's such a cute song, but it's not winning me dorsum'". The Guardian . Retrieved 18 February 2021.
- ^ "Classic Crosby, Stills, Nash & Young: Selections from Déjà Vu and Crosby Stills & Nash [Authentic Guitar-Tab Edition] © 1993 Warner Bros. Music
- ^ "Archetype Crosby, Stills, Nash & Young: Selections from Déjà Vu and Crosby Stills & Nash [Authentic Guitar-Tab Edition] © 1993 Warner Bros. Music
- ^ "Alternate Guitar Tuning".
- ^ Cavallo, Dominick. A Fiction of the Past: The Sixties in American History. St. Martin's Press (1999), p. 172. ISBN 0-312-21930-X.
- ^ Christgau, Robert (June eight, 1969). "The Byrds Have Flown--But Not Far". The New York Times . Retrieved August 11, 2018.
- ^ Anon. (n.d.). "Suite: Judy Blue Eyes". Acclaimed Music. Retrieved August xi, 2018.
- ^ "Crosby, Stills & Nash – Suite: Judy Blueish Eyes" (in Dutch). Unmarried Top 100. Retrieved September 3, 2016.
- ^ "Crosby, Stills & Nash Chart History". Billboard . Retrieved March 31, 2017.
- ^ "Cash Box Top 100 Singles, November 29, 1969". Archived from the original on September 6, 2017. Retrieved March 31, 2017.
- ^ "Tape WORLD Magazine: 1942 to 1982". worldradiohistory.com . Retrieved 2020-12-28 .
Source: https://en.wikipedia.org/wiki/Suite:_Judy_Blue_Eyes
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